St. John Passion – Bach. Bach wrote for a boys' choir accompanied by a comparatively small orchestra of Baroque instruments. Instead, we visit a particular scene–Peter, John, and the two Marys discover the empty tomb and contemplate its meaning. The 1 st 3 mvts. Complete your Johann Sebastian Bach, Gabrieli Consort & Players*, Paul McCreesh collection. Bach Easter Oratorio & Rossini Stabat Mater. Soprano: Aileen Thomson Mezzo-soprano: Esther Brazil Tenor: Ruairi Bowen Baritone: Humphrey Thompson. The program’s other work isn’t just a bonus, it’s a full-fledged partner to the oratorio. Intended for the second day of Easter and also reworked from an original secular cantata, it most likely was performed as an Easter work the same year (1735) as the oratorio. In Bach’s church music, this Easter oratorio is an exceptional work in the sense that the recitatives and arias are sung by four biblical characters, almost like a … For one thing, conductor John Butt seems to understand the dynamic of this somewhat troublesome work better than most other … Retrospect Ensemble has had a great year following their debut release Henry Purcell: Ten Sonatas in Four Parts, including being shortlisted for Gramophone's 'Best Baroque Instrument' Award. A brilliant pairing of Bach’s Easter Oratorio and Magnificat, directed by Paul McCreesh and the period experts of the Gabrieli Consort & Players. ArkivMusic - The Source for Classical Music! This is not a fancy, high-gloss “e-zine,” but rather a simple, straightforward newsletter-style section of our website designed for ease of reading and packing the maximum amount of useful information into each issue. Bach:Christ lag in Todesbanden, BWV 4Easter Oratorio, BWV 249 Three majestic works that pertain to the events of the Easter … Karl Münchinger’s recording has been around since 1965 or so, and at first I was tempted to say that we’ve come a long way since then in terms of changing … Once in while a recording comes along in which the performers, producers, and recording team get everything right. Following immediately after the cantata, the joy of resurrection bursts forth in the explosive energy of the oratorio’s opening Sinfonia. RESCHEDULED TO APRIL 2, 2021 AT 7 PM Ama Deus Ensemble Soloists, Choruis & Orchestra Soloists: Andrea Lauren Brown (soprano), Jody Kidwell (alto), Colin Doyle (tenor), Richard Zuch (bass) Gioachino Rossini: Stabat Mater J.S. Want to know first what the latest reviews are that have been posted to ClassicsToday each week? A divine Easter tradition. When Bach performed the oratorio again a few years before his death, the oboe solo was played by a transverse flute, just as in this performance. Once in while a recording comes along in which the performers, producers, and recording team get everything right. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach's choral movements. This, the second release of the highly anticipated Retrospect Ensemble series, features the Easter Oratorio, one of Bach's best-known oratorios and a monumental work, as well as the Ascension Oratorio. Released ahead of the 2016 holiday season, this recording of Bach's "Christmas Oratorio, BWV 248," entered a field where there was plenty of competition, but the performance by Scotland's historically oriented Dunedin Consort have a great deal to recommend them. All concertos are pure unadulterated awesomeness from start to finish, the sound of the recording, the tempi and dynamics chosen, the spirit, energy, and expressiveness in which these are performed, this is my favorite recorded performance of the Brandenburg concertos and I’ve … Bach wrote several cantatas for the Feast of the Ascension (BWV 37, 43, and 128), though none matches the musical scope of the Ascension Oratorio (BWV 11, sometimes referred to as BWV 249a). After recently discovering an acetate LP master in her archive, the pi...  Continue Reading, Although Louis Vierne composed his six organ symphonies with the sound of the Romantic Cavaillé-Coll church organs and large cathedrals in mind, one can argue that smaller spaces better absorb the mu...  Continue Reading. The Oratorio is coupled on this CD with Bach's justly famous 12-movement setting (in 25 minutes) of the Magnificat text from Luke. The opening chorus of the cantata BWV 66 is one of the legion of wonders among Bach’s choral movements. Also elaborately scored, with the vocal choices, tempos, and mood changing every couple of minutes, this is one of the great works of Western liturgical music ( Gardiner's masterly reading of this work is a must-have). Actus tragicus, composed for a funeral, has an unusually soft toned instrumentation (recorders, viola da gamba and organ) which make it sound both consoling and full of optimism. [4/14/2000], J.S. Reference Recording: Charles Rosen’s Distinctive Diabellis, Video Review: The Three Bs–The Bonynge Ballet Box (Naturally! Gardiner bemoans its relative neglect among Bach’s larger choral works. Bach's St. John Passion is the earlier of the two Easter story settings of … It’s performed here with uncommon crispness and a highly charged yet refined energy that drives the music forward with irresistible power. Exclusive music reviews and news, created specifically for classical music listeners, from the serious collector to the inquisitive newcomer. Concertos inédits de Jean Sébastien Bach Catalog Record Only The 1st work is the Sinfonia from the Easter Oratorio; the 3rd work was originally written for 2 harpsichords and string orchestra, and is a reconstruction of a lost concerto for oboe and violin with string orchestra. Gardiner’s note mentions two possible subjects, but both are speculative. His readings of the two pieces are well nigh ideal, The Monteverdi Choir, 23-strong in the oratorio but reduced to 12 for the cantata, is impeccable, and his solo quartet is superb from top to bottom. The Easter Oratorio, like many another Bach composition, underwent many metamorphoses. First issued in 1995, this production of Bach’s Easter “oratorium” easily can claim supremacy among several very good alternatives. The best estimate for the composition of the Brandenburg Concerti (BWV 1046-1051) lies between 1718 and 1720 or 1721. This had a short-lived life on CD as part of an 4-disk recording that included many great Bach cantatas by these forces (Nine Cantatas B00000I6N9 ) and an even shorter life on an individual CD with the cantata BWV 4, Christ lag in Todesbanden (Christ lay in … The perfect gift for the classical music enthusiasts! BACH - Easter Oratorio BWV 249; Cantata BWV 66 "Erfreut euch, ihr Herzen", Carlton Classics’ CD reissue of Charles Rosen’s 1977 Beethoven Diabelli Variations lasted for ab...  Continue Reading, The Bottom Line: This tribute to the intelligence, musicianship and questing spirit of Richard Bonyn...  Continue Reading, Pianist Éric Heidsieck’s Erato and HMV recordings made little headway outside of his native Franc...  Continue Reading, This is the CD I only could have dreamed about in the 1970s. 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